THE PREDATOR (2018)

Review by LL Soares

I went in really wanting to like THE PREDATOR, the latest film in a franchise that began in 1987, but I was ultimately disappointed. The buzz beforehand was this would be the movie to reboot those dreadlock-wearing aliens who love to hunt humans and rip out their spines, and while some of it works, overall, I just wasn’t jazzed.

As mentioned, the first movie in the series, simply called PREDATOR, was an excuse for action star Arnold Schwarzenegger to go toe-to-toe with one of the predatory monsters of the title in the middle of jungle. Invisible for most of the film (these creatures love their cloaking devices), we didn’t get to really see the monster until the end when its invisibility device breaks, and Arnold has his final showdown. I didn’t think it was an amazing movie, but the monster was very cool, and it’s one of the better Schwarzenegger actioners of the time.

Clearly something about these creatures captured the movie-going public’s imagination, because those nasty Predators have been popping up in a lot of movies since, including sequels, and an “Alien vs. Predator” spinoff that was never all that good, despite combining two of the coolest aliens of the 80s.

The last time we saw these title baddies was in the 2010 “reboot” PREDATORS, which somehow continues to be overlooked, even though it was the best entry in the series. And yes, I’m including THE PREDATOR in that group. PREDATORS featured a bunch of human killers, including Adrien Brody, Danny Trejo, Alice Braga, Walton Goggins and Topher Grace, who find themselves transported to an alien planet where the Predators hunt them down. It was a cool concept of bring humans to them instead of their coming to Earth, and it was dark, and well-written, and very cool. And yet no one seems to mention it when they talk about the franchise, which just boggles my mind.

In the new movie, your typical clandestine government agency led by a ruthless dude named Traeger (Sterling K. Brown, currently on the show THIS IS US, and who was terrific as Christopher Darden in the first season of AMERICAN CRIME STORY, 2015-2016, about the O.J. Simpson trial), has been aware of the Predators since the late 80s and have been keeping an eye on their comings and goings. Each time they’ve shown up on Earth, they’ve upgrade themselves to be more formidable (as we all know, this is what Predators do). A scientist named Casey Bracket (Olivia Munn of IRON MAN 2, 2010 and MAGIC MIKE, 2012), who happens to be an expert in evolution, is “recruited” to join them after a crashed Predator ship is spotted in Mexico. There’s a big debate over why they’re called Predators (as Dr. Bracket points out, predators kill for survival, while these aliens kill for sport; shouldn’t they then be called Hunters? She’ll bring this up again in the movie.)

As for that crashed ship, it showed up just when our hero, sniper Quinn McKenna (Boyd Holbrook, who was previously the villainous Pierce in LOGAN, 2017, as well as being in GONE GIRL, 2014), a mercenary working for another clandestine agency, is lining up a shot to take out some kidnappers who are part of a drug cartel. The ship messes everything up, and Quinn makes sure to grab some tech (mainly a helmet and an arm gauntlet/weapon) and mail them back home for safe keeping. The package shows up at his house, where his genius level son (who also suffers from autism), Rory (played by Jacob Tremblay of ROOM, 2015, and THE BOOK OF HENRY, 2017), opens the box and can’t resist playing on what’s inside. Since he’s a genius, he figures out to get them to work, thus alerting other Predators who are in pursuit of the crashed ship, and leading them right to Earth.

Meanwhile, Traeger’s men are doing their best to frame up Quinn for any casualties at the crash site, in their effort to cover it all up, since that’s what these government agencies do. Quinn is sent off to military prison, on a bus full of other wackos who seem to be both talented killers and, for the most part, total psychos. Nicknamed “The Loonies” by Quinn, they include leader Nebraska Williams (Trevante Rhodes, from the movie MOONLIGHT, 2016), wise-cracking Coyle (Keegan-Michael Key of KEY AND PEELE and KEANU, 2016), Tourette’s sufferer Baxley (Thomas Jane of THE PUNISHER, 2004, and THE MIST, 2007), religious Nettles (Augusto Aguilera, of the upcoming series TOO OLD TO DIE YOUNG, 2018) who keeps mentioning “The End Times,” and demolition guy Lynch (Alfie Allen, who plays Theon Greyjoy on GAME OF THRONES).

It also turns out that Traeger has the body of the Predator who was recovered from the crash in his lab, which is why Dr. Bracket was drafted to help. But when that Predator wakes up from its heavy sedation and escapes, Dr. Bracket is yet another intended casualty to be eliminated for knowing too much. The doctor is rescued from mission-mandated death from Quinn and his Loonies, who are then on the run from the government, after they themselves escape from that prison bus. They high-tail it back to Quinn’s house, where his tough military wife, Emily (Yvonne Stahovski, of the shows CHUCK, 2007 -2012, DEXTER from 2012-2013, and, currently, THE HANDMAID’S TALE), lives with that genius kid, Rory.

Traeger and his guys are hot on the train of that escaped Predator, who is hunting for Rory, but who’s also being hunted by another, much bigger Predator, who even has Predator Dogs! This would be a cool new twist, if Predator Dogs didn’t already exist. They first popped up in that underrated movie PREDATORS from 2010, which I say again is still the best entry in the franchise.

THE PREDATOR is directed by Shane Black, who also directed some good movies (KISS KISS BANG BANG, 2005 and the underrated THE NICE GUYS, 2016) and some bad ones (IRON MAN 3, 2013), and he does a slick job with this one, although way too often it seems more like a generic action movie, with lots of car crashes and explosions, and people leaping from high-up stuff, than a cool sci-fi flick. The script by Black and Fred Dekker (based on characters created by Jim and John Thomas) is uneven at best, and thinks it is way cooler than it actually is.

Let’s see. The pluses here are Boyd Holbrook as our hero, Quinn. He is more than capable as the action star this time around, and could clearly have a future as a leading man in these kinds of things. The dude has the charisma necessary to be a star. The Loonies can be fun at times, and Olivia Munn is good as the scientist in peril.  Sterling K. Brown is really good as the bad guy here, but he’s not given a lot of depth, and could have used a little more humanizing. The Predators, as usual, are cool as hell, and the main reason these movies exist, even if the human storylines have too many ups and downs.

The negatives include those “downs” I just mentioned, the times when the script seems too much like a by-the-numbers action movie (too often), and some big lapses of logic, including a bunch of guys surfing on top of a giant alien spacecraft that’s trying to zoom away. Not only do they somehow stay on top of it, but they also find a way to bring it down (this is not really a spoiler, is it? Unless you’ve never seen an action movie before), and it’s just hokey as hell. There are a few moments like this, and none of them make the movie better.

And, of course, the ending blatantly sets thing up for a sequel. Which will probably happen.

Yet another big budget movie that got a lot of buzz before its release and then turned out to be mediocre at best, I give THE PREDATOR two and a half knives. Not horrible, but you’d be much better off seeking out 2010’s PREDATORS instead.

© Copyright 2018 by LL Soares

LL Soares gives THE PREDATOR – two and a half knives.

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