Review by LL Soares
Anna Biller, who previously gave us short films like A VISIT FROM THE INCUBUS (2001) and one previous feature, VIVA (2007), has written and directed the visually stunning film THE LOVE WITCH (2016), which I planned to see sooner, but am glad I finally got chance to view.
The way the movie is filmed, by cinematographer M. David Mullen, and the production design, art and set decoration and costumes (all done by Biller) reminded me of a brightly colored dream, and a late-period Hammer film.
Elaine (Samantha Robinson) is an unapologetic witch, who has recently come to a small town for a new start, after the death of her husband, Jerry (Stephen Wozniak) in San Francisco. Turns out their relationship was souring and she used a love potion to get it back on track. Unfortunately, the potion was a bit too potent, and Jerry died.
Elaine moves into a big, fancy house owned by her friend Barbara (Jennifer Ingrum), but when she gets there, Barbara’s friend, Trish (Laura Waddell) is the one who lets her in. Soon after, they go to a Victorian Tea Room where they talk about life and love. Trish is surprised to find that Elaine is rather old-fashioned, since all she seems to talk about is finding a man, and how to keep him happy. Trish asks if Elaine might want to be more independent in her thinking, but Elaine just doesn’t seem to get it.
Not long after coming to town, Elaine meets a professor named Wayne (Jeffrey Vincent Parise) in the park. Well, rather, her stunning looks draw him to her like a magnet (making him forget all about the poor girl he’d been talking to). When she gives Wayne a flask with some spiked liquor in it, he becomes obsessed with her pretty quickly, but it comes to a tragic end.
Later, when Trish is away on a business trip, Elaine invites her lonely hubby, Richard (Robert Seeley) over for dinner and gives him a similarly spiked drink, which makes him also become obsessed with her. I’m not really sure why Trish can’t just let love come on its own; I guess that, despite looking amazing, she doesn’t have much self-esteem, sadly.
Later, she gets involved with the detective, Griff (Gian Keys) who is investigating the disappearance of Professor Wayne. She seduces him pretty quickly and there’s even a scene where the two of them stumble upon a Renaissance Fair and are encouraged to take part in a mock wedding.
Her friend Barbara was part of a coven, led by her and her creepy boyfriend, Gahan (Jared Sanford), both of whom Elaine knew in San Francisco (and they’re the reason she moved here). There’s also a local burlesque bar where the witches (and some “normal” people who hate them) hang out. Some of the witches even perform onstage, including the beautiful twins Star (Elle Evans) and Moon (Fair Micaela Griffin).
While the movie maintains its lush look throughout, the script has its ups and downs, with Elaine making some questionable decisions that don’t fully make sense. While some aspects of the movie will have you scratching your head (why doesn’t Elaine even really try to hide a man who’s died? Instead, she leaves a very obvious grave, along with a jar full of her urine!), it looks so good, and Robinson is so mesmorizing, that you’ll gladly stick around. This is a case of a film’s cast, and look, overcoming the flaws in the script. I give it three knives.
© Copyright 2018 by LL Soares
LL Soares gives THE LOVE WITCH ~ 3 knives.