Review by LL Soares

Director Dan Gilroy previously collaborated with actors Jake Gyllenhaal and Rene Russo on the 2014 film, NIGHTCRAWLER, with Gyllenhaal played a rather intense crime journalist and Russo playing his boss. I liked the movie a lot, and it got some well-deserved praise at the time. Now, the three of them have reunited for the Netflix film, VELVET BUZZSAW (2019).  A mix of a satire of the art world and a horror film, it involves Morf Vandewalt (Gyllenhaal), a quirky and egotistical art critic whose reviews can make or break an art show; Rhodora Haze (Russo), a powerful gallery owner and art agent; and Josephina (Zawe Ashton), a woman who worked for Rhodora, but who now wants to be an art dealer on her own.

There’s also the legendary artist Piers (John Malkovich), who has a team of assistants making prints of his work to sell, but who is having a hard time creating anything new; Jon Dondon (Tom Sturridge), an agent who steals Piers away from Rhodora; Damrish (Daveed Diggs), an up-and-coming artist from the streets who is about to hit the big time now that he’s on Rhodora’s radar; and Coco (Natalia Dyer), an intern to Rhodora and later an assistant to Jon, who has the bad luck to be around when characters start dying in violent ways.

After being fired by Rhodora, Josephina has the good (?) luck to come across an old man (Alan Mandell) who died on the staircase of her building. He was a neighbor, but she never knew him, because he was a recluse. When she noses around his apartment (initially to check on his cat), she discovers that he was also an artist, with thousands of works hoarded in his apartment. He also has left instructions that he wants all of his work to be destroyed, but Josephina ignores that, and brings all the art she can carry back to her own apartment.

Morf has recently broken up with his boyfriend, Ed (Sedale Threatt Jr.) and begins an affair with Josephina. When she shows him some of the artwork she found, he is ecstatic – this is the work of a true genius. When Rhodora finds out about it, she blackmails Josephina into signing with her, so that they can exploit the dead man’s art together, and the deceased artist, named Vetril Dease, becomes a sensation in the art world.

But the artist’s desire that his work be destroyed after his death demands to be fulfilled. And those who sell his artwork start to come to grisly ends, from paintings that either spontaneously combusts, or come alive! And it’s not just Dease’s art that can kill. Monkeys in a picture on the wall of a garage come alive and kill a guy who worked for Rhodora, and who stole some art that was meant to be put in storage (first, he’s badly burned when the art he stole bursts into flames).  Other deaths including a character who drowns in paint (and becomes human graffiti!) and another who is killed by an art installation robot gone berserk.

The movie reminded me a little of John Carpenter’s IN THE MOUTH OF MADNESS (1994), except that, instead of a writer whose books drive people insane, it’s about an artist whose paintings bring death.

VELVET BUZZSAW (the title refers to an art installation that Rhodora had back in her punk rock days, when she was an up-and-coming artist herself; she even has a tattoo of the logo) seems to be getting mostly a negative response on social media, but I didn’t think it was that bad. I think part of the problem is that it doesn’t have a consistent tone. It’s too arch to be a horror story and the supernatural aspects of the Dease revenge storyline keeps it from being a straightforward character study. I like Dan Gilroy’s work, and found his tongue-in-cheek critiques of the art world types to be entertaining, especially Gyllenhaal’s neurotic Morf. Russo and Ashton are also quite good here, and I enjoyed any scene with Malkovich’s Piers. But it’s a film that seems to have an identity crisis, and in turn neither fully succeeds as a satire or a horror story. The movie has its moments, but its flaws keep this flower from blooming.

I give VELVET BUZZSAW two and a half knives. It’s not a great film, or as good as NIGHTCRAWLER, but it’s worth watching on Netflix.

© Copyright 2019 by LL Soares


LL Soares gives VELVET BUZZSAW ~ 2 1/2 knives.


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