Review by LL Soares
Am I the only one who thought the 1989 movie version of Stephen King’s PET SEMATARY, directed by Mary Lambert, wasn’t a bad film? I mean, when there’s a decent version of the story already adapted, why be in a rush to remake it? Remakes should be reserved for the numerous Stephen King books that were made into BAD movies, don’t cha think? Or maybe to put some R-rated scares in stories that previously adapted for sanitized TV miniseries on ABC? In other words, PET SEMATARY wasn’t high on my list of King movies that had to be redone.
The thing is, the new PET SEMATARY isn’t a bad movie. It’s done well, with a good cast. It’s just that it doesn’t have much new to add (except maybe for an unexpected death that may catch King fans by surprise). So when I sat down to watch this version, I have to admit, it didn’t do much for me. I’d seen the story before, just as well done, and so this felt like a waste of an hour and 41 minutes. But that’s just me.
If you’re a horror movie fan, then you already know the story. A family moves from urban Boston to rural Maine to “get away from it all.” The dad’s a doctor who’s sick of working the all-night shifts at the hospital and wants to take it easier. So Louis (Jason Clarke, the underrated actor from “ZERO DARK THIRTY,” 2012, “DAWN OF THE PLANET OF THE APES,” 2014, and “MUDBOUND,” 2017) and his wife, Rachel (Amy Siemetz, from the shows “THE KILLING” and ‘THE GIRLFRIEND EXPERIENCE,” and the movie “ALIEN: COVENANT,” 2017) move with their kids, pre-teenager Ellie (Jete Laurence, “THE SNOWMAN,” 2017) and toddler Gage (played by twins Hugo and Lucas Lavoie) to a cabin in the woods. Turns out that there’s a cemetery behind their house in the woods. Kids in the neighborhood bury their dead pets there. Which is kind of creepy, since they turn it into an almost pagan ritual, wearing animal masks in an orderly procession and all.
Even scarier, their house is on the route that huge gas trucks take to get where they’re going. And they go by fast!
There’s also a scruffy neighbor named Jud (John Lithgow, of “RAISING CAIN,” 1992, “RISE OF THE PLANET OF THE APES,” 2011, and amazing in Season 4 of the series “DEXTER” in 2009), who lost his wife and who could be feeling sorry for himself, but he’s actually a nice guy and befriends first Ellie, then the family. When the family cat, Church, gets run over by a car, Jud tells Louis about a secret graveyard BEHIND the pet cemetery. A spooky, swampy piece of land where Native American tribes used to bury their kin, until they moved away, determining the area was cursed. You see, this second cemetery has supernatural properties. If you bury something there, it comes back to life. Although, not exactly how you remember them.
Jud doesn’t want his daughter to find out her beloved cat is dead, so he follows Jake to the spooky graveyard, buries the cat there, and soon afterwards, it comes back.
Except it’s mangy as hell and really needs a bath. And sometimes it has a really nasty temper now.
So, after seeing what the graveyard can do, when someone in Louis’s family dies, he sure as hell isn’t going to let them stay dead!
And when a human being is buried in that awful place, that’s when things get really spooky.
As I said, the directors, Kevin Kolsch and Dennis Widmyer, who previously gave us the very good horror film, STARRY EYES (2014), do a good job adapting the material. The script is by Jeff Buhler (and Matt Greenberg). There’s not a lot here that’s particularly problematic. It’s a good, solid adaptation. Except that it was already adapted in 1989, as a decent movie, and the new movie just seemed like more of an attempt by the studio to cash in on the resurgence of popularity for Stephen King—thanks to the blockbuster version of IT (2017)—than a movie that really needed to be made. Or, rather, remade.
Everyone involved does a fine job. Nobody embarrasses themselves here. But in the end, it seemed a little pointless. I was going to give it 2 ½ knives because of that – but frankly, I don’t think that’s fair. Just know that if you haven’t seen this story before, you’ll enjoy it. It’s a good movie. But if you’ve already seen it, there aren’t a lot of reasons to see this new one.
© Copyright 2019 by LL Soares