Review by LL Soares
At this point, we know what a new JOHN WICK movie is going to be like. It’s a formula that doesn’t change much from film to film, because it works so well. CHAPTER 3: PARABELLUM is more of the same. Two hours and ten minutes of killing. By gun, by martial arts, by any way (or blunt object available) possible. I enjoy these movies, and CHAPTER 3 was no exception.
The plot, what there is of one, is pretty simple. In CHAPTER 2, John Wick (Keanu Reeves, SPEED, 1994, and THE MATRIX, 1999) killed someone on the grounds of the Continental Hotel, a sanctuary for assassins. It’s one rule is that you do not kill anyone on the premises. So, having broken this golden rule, Wick is a man marked for death by the High Table, the mysterious group who lord it over the hired killers of the world.
The manager of the Continental, Mr. Winston (Ian McShane, of from the series DEADWOOD and currently on the Starz Channel’s AMERICAN GODS) gives Wick an hour’s grace period before he becomes a duck in a shooting gallery. Then, a 14 million dollar bounty is put on his head. As the movie goes along, this amount will increase.
So, as CHAPTER 3 opens, Wick is running around New York City, trying to stay alive, as various killers notice him, and hunt him down. This includes everyone from martial artists in Chinatown to the Russian mob. Wick manages to stay alive, leaving an ocean of dead bodies in his wake. Eventually, he ends up at the ballet school of an old friend, simply called The Director (Anjelica Huston, PRIZZI’S HONOR, 1985, THE GRIFTERS, 1990), and he calls in an old debt to demand her help in getting out of the country. His destination: Morocco.
In Morocco, Wick does more killing to stay alive, and calls in another marker with a friend named Sofia (Halle Berry, MONSTER’S BALL, 2001, and the original Storm in the X-MEN movies of the early oughts), a killer who has two very obedient dogs. John Wick loves dogs, so you can see why they are (or were) friends. He wants to set up a meeting with a member of the High Table to negotiate for his life. But things don’t go as planned.
Meanwhile, a new character called The Adjudicator (Asia Kate Dillon, best known for playing Taylor Mason on the terrific Showtime series BILLIONS, and previously on ORANGE IS THE NEW BLACK) shows up in New York. She works for the High Table, and, while she’s there to search for Wick, she’s also there to punish those who helped him get away, including ol’ Winston, as well as the Bowery King (Laurence Fishburne, Morpheus in THE MATRIX, 1999, and Jack Crawford on the excellent series, HANNIBAL, from 2013 – 2015), who leads an army of killers disguised as derelicts, and The Director, who we saw earlier. The Adjudicator is vicious but does not get her hands dirty. She has a dude named Zero (Mark Dacascos, BROTHERHOOD OF THE WOLF, 2001, and “The Chairman” of IRON CHEF AMERICA: THE SERIES, 2004 -2018) and his lethal ninja warriors to do the dirty work, like meeting out punishments.
After a sojourn in the desert, Wick returns home to take on The Adjudicator and her men, in a Continental Hotel that suddenly finds itself no longer a sacred place (The Adjudicator reduces it to “Deconsecrated” status in her mission to get rid of Wick once and for all, so killing on the premises is now fair game).
Winston, of course, has some tricks of his own up his sleeve, and his right hand man, Charon (Lance Reddick, THE WIRE, 2002-2008, and FRINGE, 2008-2013) shows Wick to a storeroom full of guns that would make an NRA member giddy.
Sure, the series fetishizes guns and violence, but the fact that it is so over the top, and so unapologetically vicious, is part of its appeal. Clearly I’m not the only one with an affinity for Wick and Company, since these movies have been doing increasingly well at the box office. The first film made about $14 million, this newest one made over $54 million in its opening weekend. Expect more “Chapters” to come.
JOHN WICK CHAPTER 3: PARABELLUM (which means “Prepare for War” as revealed in some subtitles later on) is directed by former stuntman Chad Stahelski, who also directed the previous two JOHN WICK films. He knows he’s in on a good thing, and I hope he keeps directing these films. The screenplay is by Derek Kolstad, Shay Hatten, Chris Collins, and Mac Abrams, featuring characters created by Kolstad (who wrote the scripts for the first two movies by himself).
These movies work for a lot of reasons. The first being that it’s the perfect role for Keanu Reeves, who has had an uneven career as an actor, but who does especially well with stoic characters who reveal little emotion, like Neo in the MATRIX films and now here as John Wick. He’s just perfectly cast in these types of things, and is enjoyable to watch. The rest of the cast is also very strong. And then there’s the non-stop action, which is filmed exquisitely by Stahelski (along with his cinematographer, Dan Laustsen, of course) who, as a former stuntman, knows how to do this stuff right. The fight scenes throughout are excellent. Stahelski is very good at pacing.
If you’re a fan of violent films, or simply a fan of the previous films in the series, then you’ll be happy with the new Chapter. Me, I give it 3 ½ knives.
© Copyright 2019 by LL Soares
LL Soares gives JOHN WICK 3: PARABELLUM a score of 3 1/2 knives.
L.L. Soares 