Review by LL Soares
MANDY (2018) has just come to theaters after a very positive run in film festivals. It’s also available for rental on streaming services such as Amazon and Youtube, as well as iTunes, where you can buy it. What you think of the movie may be affected by what you think of lead actor Nicolas Cage. But this is the most-buzzed about movie he’s made in years, a grindhouse-worthy, gory revenge thriller by director Panos Cosmatos, who previously made the surreal masterpiece BEYOND THE BLACK RAINBOW (2010), with a screenplay by Cosmatos and Aaron Stewart-Ahn.
Lumberjack Red Miller (Nicolas Cage) works hard in what looks like the forests of the American northwest. He works hard, then comes home to his signifcant other, Mandy Bloom (Andrea Riseborough), who is an artist. They live in a little house in the middle of a forest, and pretty much keep to themselves. Sometimes Red wonders if they should move somewhere else, but Mandy likes it there.
One day, a van drives past Mandy on a rural road. Inside are cult leader Jeremiah Sand (Linus Roche) and his “flock,” who have dubbed themselves The Children of the Dawn. The group includes Brother Swan (Ned Dennehy), who drives and is Jeremiah’s right hand man; Mother Marlene (Olwen Fouere) who appears to be the woman who has been with Jeremiah the longest; Sister Lucy (Line Pillet), a younger woman who does what she can to please Jeremiah; and a few other men who aren’t as memorable.
Jeremiah is convinced that Mandy is special and that he must have her, even though he only glimpsed her from the car window. He demands that his people get her for him, so Brother Swan leads the way.
A group of them go out in the middle of the forest and blow something called the Horn of Abraxas. In response, some demonic-looking bikers come riding out of the woods, on jet-black motorcycles. The bikers lead the others to Mandy’s house, where she is abducted and Red is beaten.
When Mandy wakes up, she is put through an initiation of sorts and brought before her new master. But she refuses to be dominated. Instead, she laughs at Jeremiah, who then has her killed. Red, who is tied up behind the house with barbed wire, is forced to watch. Then the group of freaks heads out into the night.
Red gets free, mutliating himself in the process. He then decides to exact his vengeance. He goes to the trailer of a guy named Caruthers (Bill Duke) and gets a crossbow he had left with the man. Caruthers also gives him other weapons. Red also does some blacksmithing and forges a special one-of-a-kind battle axe. His first mission is to hunt down those maniac bikers.
We’re not sure if the bikers are human or not. They look otherworldly, like extras from the HELLRAISER movies. But Caruthers says that they’re just killers who were given a bad batch of LSD that drove them insane with pain. Either way, Red proves they’re mortal, using his weapons. But it’s not easy, and he’s further injured in the fights.
He then hunts down Jeremiah and his band of merry murderers, covered in blood and a little crazy himself.
At one point, Red comes across a man called The Chemist, played by Richard Brake (who was the best thing in Rob Zombie’s 31, 2016, where he played Doom-Head), who has a tiger and who goes into a trance to tell Red where Jeremiah has gone. I kind of wished the tiger had gone along with Red to assist him in his bloody tasks.
There are also some dream sequences, where Red dreams of Mandy, that are animated. This shouldn’t work, and could have looked very goofy, but somehow it does.
It seems that, online at least, the movie has been polarizing. Some people have complained that the pacing is slow, but I found the way the movie moved seemed just right, with enough gory punctuations to keep you engaged. Some people found Cage’s performance too over the top, but frankly, this is the kind of crazed performance people have come to expect from Nicolas Cage, and I think the movie works well with his particular brand of crazy. The rest of the cast is solid, including Ms. Riseborough as the titular Mandy, and especially Linus Roache as the evil Jeremiah. When we first see the cult leader, he reminded me totally of actor Richard Lynch, back when he appeared in movies like Larry Cohen’s GOD TOLD ME TO (1976); there’s the same strong sense of menace. Jeremiah has a vulnerable side too, but if he shows it to you, then he’ll have to kill you.
The movie leads up to the big final confrontation between the wronged husband and the vile sociopath who believes he is above the law. The results are predictable, but no less effective.
If you’re already of fan of Mr. Cage, then chances are that you’ll love this movie. The feel of the movie and the visuals, go very well with his intense performance. If you’re not a fan of his, then there may be a few scenes where you think he’s overdoing it, but even then, you may enjoy it, just because it’s so unusual and well-made. Mr. Cosmatos has a powerful style and a strong visual sense, that made this movie special for me.
I really loved this one, and I give it four knives.
(Also, keep an eye out for a scene where Red and Mandy watch a commercial on their television for a product called Cheddar Goblin. It’s a special laugh-out-loud moment, tucked inside all the intensity and gore.)
© Copyright 2018 by LL Soares
LL Soares gives the movie MANDY ~ four knives.